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Vasilii Belov and the Russian idea D. Gillespie, S. K. Gural, M. A. Korneeva

By: Gillespie, David ChContributor(s): Gural, Svetlana K, 1936- | Korneeva, Marina AMaterial type: ArticleArticleSubject(s): Белов, Василий Иванович 1932-2012 | деревенская проза | русская идея | сельская культураGenre/Form: статьи в журналах Online resources: Click here to access online In: Language and culture № 11. P. 39-46Abstract: Vasilii Ivanovich Belov (1932-2012) was one of the most wellknown and outspoken of the ‘village writers’ who came to prominence in the Soviet Union in the 1960s, and in the age of ‘glasnost’ and post-Soviet times attracted much attention and even vilification for his nationalist and apparently xenophobic views. In his documentary account of village life and customs published in the journal Nash sovremennik between 1979 and 1982, and subsequently in illustrated book form, Belov provides in great detail and with much personal warmth the history of the northern Russian village, its people, customs and way of life as it has developed over the centuries, showing a place seemingly outside of time and untouched by historical developments. Lad: ocherki o narodnoi estetike may yet prove to be his most enduring contribution to post-Soviet reflections on ‘the Russian idea’, and Russia’s relationship with Europe.
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Vasilii Ivanovich Belov (1932-2012) was one of the most wellknown and outspoken of the ‘village writers’ who came to prominence in the Soviet Union in the 1960s, and in the age of ‘glasnost’ and post-Soviet times attracted much attention and even vilification for his nationalist and apparently xenophobic views. In his documentary account of village life and customs published in the journal Nash sovremennik between 1979 and 1982, and subsequently in illustrated book form, Belov provides in great detail and with much personal warmth the history of the northern Russian village, its people, customs and way of life as it has developed over the centuries, showing a place seemingly outside of time and untouched by historical developments. Lad: ocherki o narodnoi estetike may yet prove to be his most enduring contribution to post-Soviet reflections on ‘the Russian idea’, and Russia’s relationship with Europe.

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