TY  - SER
AU  - Gillespie,David Ch
AU  - Gural,Svetlana K.
TI  - Film adaptation and cultural politics: the Russian approach to screening literature
KW  - теория экранизации
KW  - жанры
KW  - русская литература
KW  - политика
KW  - периодизация
KW  - статьи в журналах
N1  - Библиогр.: 14 назв
N2  - The adaptation of works of literature has been a staple part of film production in all countries of the world. Western theories of adaptation have focused on the relationship of the film to the original text, and the vision of the director. Essentially these theories can be reduced to one question: who owns the film version: the author or the director? In Russia, the relationship between authors and
 director is further complicated by time, as the genre of literary adaptation has much in common with the historical film: both tell us
 as much about the times in which these films were made, as about the source material. Russian film adaptations of literature have
 consistently referred to the source text with great respect but also with an eye to their contemporary relevance. The Russian classical
 and Soviet literary heritage provides a rich repository of cultural values that can be celebrated in any era, but which can also comment
 on the mores of that era, sometimes to satirical effect. What distinguishes the Russian approach to literary adaptation is its espousal
 of periodization, wherein a film adaptation may reveal more about the time in which it was produced than develop the actual
 literary original itself
UR  - http://vital.lib.tsu.ru/vital/access/manager/Repository/vtls:000565706
ER  -