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Papal Bull Print, Politics, and Propaganda in Renaissance Rome Margaret Meserve.

By: Meserve, MargaretContributor(s): Project Muse [distributor.]Material type: TextTextSeries: Book collections on Project MUSEPublisher: Baltimore Johns Hopkins University Press, 2021Manufacturer: Baltimore, Md. Project MUSE, 0000Copyright date: 2021Description: 1 online resource (1 volume) illustrations (black and white)ISBN: 1421440458; 9781421440453Subject(s): Catholic Church -- Publishing -- Italy -- Rome -- History -- 16th century | Catholic Church -- Publishing -- Italy -- Rome -- History -- To 1500 | Italy -- Rome | Bulls, Papal | Book industries and trade -- Political aspects -- Italy -- Rome -- History -- 16th century | Book industries and trade -- Political aspects -- Italy -- Rome -- History -- To 1500 | Printing -- Italy -- Rome -- History -- 16th century | Printing -- Italy -- Rome -- History -- Origin and antecedents | Printing -- Origin and antecedents | Printing | Bulls, Papal | Book industries and trade -- Political aspectsGenre/Form: EBSCO eBooks DDC classification: 686.209456/32 LOC classification: Z156.R7Online resources: Click here to access online
Contents:
Introduction -- Urbi et orbi -- Humanists, Printers, and Others -- Sixtus IV and his Pamphlet Wars -- Broadsides in Basel -- The Holy Face, Imprinted and in Print -- Refugee Relics -- Kissing the Papal Foot -- Brand Julius -- Conclusion.
Summary: "This work of history examines how the Renaissance popes adopted print as a medium for political discourse in the first decades after the technology's invention (ca. 1470-1520). Drawing on literary and material analyses of dozens of little-known incunabula and early sixteenth-century editions, this study argues that the Renaissance papacy was an early adopter of print and keenly attuned to its political potential"-- Provided by publisher.
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Introduction -- Urbi et orbi -- Humanists, Printers, and Others -- Sixtus IV and his Pamphlet Wars -- Broadsides in Basel -- The Holy Face, Imprinted and in Print -- Refugee Relics -- Kissing the Papal Foot -- Brand Julius -- Conclusion.

"This work of history examines how the Renaissance popes adopted print as a medium for political discourse in the first decades after the technology's invention (ca. 1470-1520). Drawing on literary and material analyses of dozens of little-known incunabula and early sixteenth-century editions, this study argues that the Renaissance papacy was an early adopter of print and keenly attuned to its political potential"-- Provided by publisher.

Description based on print version record.

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